In Heart of Darkness, Joseph Conrad relies heavily on the differences between ways and factuality to bring forth conflict in the story. From the appearance of the ivory trade and the virtuous of Africa, to the foresee of Kurtz himself, Conrad clearly shows us that appearances can be deceiving. As Marlow relates his story, the reader is drawn into a world of contradictions. These contradictions challenged the widely genuine European views of that time. Â Â Â Â Â Â Â Â When Marlow begins his quest to piece of paper his ship up the Nile river to scat to in the adventure and tem swearworduousness that is the ivory trade, he describes the opening move as a nobleman cause (pg 6). Marlows aunt called him an sleuth of light, something like a hire sort of a slurle whose purpose was to [wean] those boorish millions from their horrid ways (pg 10). Yet through and through Conrads use of diction, our first render of the ivory trade is an fig of unfairness, death, and despair: pieces of decaying machinery (pg 12) shadows of disease and starving picture of a kill or a pest (pg 14). This may have been a harsh criticism of the British colonialism in Africa, and revealed the hypocrisy of those in the ivory trade who claimed to be civilizing the savages: It was as unreal as everything else-as the philanthropic pretense of the full page concern ...
The only real feeling was a relish to ... earn percentages (pg 21). Â Â Â Â Â Â Â Â Throughout the story, the African jungle is presented as a dark and alien ornament with the lurking death, ... the hidden evil, ... [and] the profound shabbiness of its heart (pg 28) of an unknown planet (pg 32). To Marlow, while he was in the heart of the African jungle, the soil seemed unearthly (pg 32). Yet, as he ventured deep into this... If you want to get a full essay, post it on our website:
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