Art

While some elements of abstract and surrealist make them seem rather separate things , such as the surrealis ts use of photo-realism in the concentrate of the impossible or other domainly versus the coceptualist s elegant simplicity , LeWitt s Lines from iv Corners to Points on a Grid flows from LeWitt s belief that the conceptual ist dunk shot in the unfathomable (Caldwell , 1981 ) while creating that pushed the boundaries of aesthetics and it tends to cast the cut as having surrealist influencesConceptual is pially defined by its simplicity . Anyone could create conceptual , at least in the automatonlike sense , without lift in the disciplines required to produce the realistic elements often seen in surrealist pieces . But , where surrealist portrays its bizarre humans through juxtaposing the real with the worl d of dreams desires and the subconscious , the conceptual ist takes the everyday and transforms it into a piece that around mystically provides access to those alike aspects of mind Lines from Four Corners to Points on a Grid was such a work .

mechanical drawing the viewer to see a wall as much than what it seems , turning it into a scum bagvas on which the mystical is visualised , LeWitt evokes the complexity of the human mind and it s ability to object the visionary onto the pedestrianWhile this work may be from a antithetic schooltime than is that of the pure surrealists , LeWitt s definitely draws fro m the fascination with the transcendent do ! can have upon the viewer and it , though it s simple geometry , evokes the same phantasmagoric perspective as does the surrealistSources CitedCaldwell , John Art so LeWitt and the Walls of the Wadsworth Antheneum , The wise York Times 27 , September , 1981Sol LeWitt s Lines from Four Corners to Points on a Grid PAGE 2...If you want to get a total essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper