Brett Whitely: a brief frames analysis Essay

Subjectiveuse artifice as a method of expressive self-exploration. I paint in order to see.His art whole caboodle move from being governmental protests to being focused on the not-so-quiet intimacies of his private brio. Politics, travel, social consciousness, self-analysis, philosophical speculation and youth took second bespeak to angiotensin-converting enzyme over-riding obsession to paint pictures of beauty. (Brett Whiteley, by Sandra McGrath, 1979)Experimented with different, mind-altering drugs to influence his art-making.Greatly influenced by Francis Bacon.Towards the end of his cargoner he move to painting more than than(prenominal) still lifes, the more anti-social he became, the more inte pillowed he was in inanimate, inhuman objects.His paintings very much verged upon the woefully disturbing and deperate or outrageously ironic as his health declined + he became more demoralised. Where he once believed his paintings could change the demesne (eg. American Li fe), he tried to handle with the contradictions in what he believed (ie. complete political restructure) + what he had become (a highly desire after + highly paid workman with a valuable house, swimming pot expensive car etc..His paintings were designed to wind up a very strong stirred response from the viewer, either positive or negative.Cultural numerous of his artworks included images of sex, violence, social themes.Interesting poseal of Australian enculturation not always positive, however, it is his paintings that depict Australia in a positive light Australia as a beach paradise etc that are most often glorified. These paintings, for example The Beach, were often misunderstood, as they were commenting on the materialistic/consumer disposition of modern Australian societyWhiteley saying Australia as being in its political infancy, and believed that until Australia forged a more equal relationship with the rest of Asia, it would be doomed. He drove this point crime syndicate through the use of Chinese calligraphy, slogans, inflammatory sculpture, poster art and often ballyhoo artist press conferences.Cultural significance of life drawing in the art world.Was excessively influenced by his umteen overseas trips, notably India (Calcutta, Shankar + Fidgeting with Infinity) + England (The Christie series + the London Zoo series).Many of his artworks depict a kind of easternmost vs West theme.StructuralCombined many different mediums.Mostly did large-scale works something I want to experiment with.Used many different signs + symbols, sometimes overtly, sometimes not.Very interesting use of dummy often depicted bulging, distorted figures on large canvasses in the middle, or corner, adjoin by uninterrupted, negative space. (Many Eastern styles of art have a tendency to portray people as tiny details in the corner of a capacious landscape.)Usually used a express mail colour range, often worked in discolor + black or one some other c olour.Often skips narrative information + detail, more emphasis on forms, curves + swellings that hint toward dark details.Much style dislocation didnt just paint in one style, but many, often within the equal painting.Post-ModernDespised the idea of tradition, suburbia, family values etc.Very iconoclastic.Liked to shock the rest of the art world, art critics etc.